Electronic group A Tribe Called Red (ATCR) has garnered international acclaim for its politically charged, powwow drum-driven dance music. Featuring the DJs Bear Witness (Thomas Ehren Ramon) and 2oolman (Tim Hill), the group emerged from an Ottawa club party called Electric Pow Wow, which began in 2007. Former members include DJ Shub (Dan General), and founding members DJ NDN (Ian Campeau) and Dee Jay Frame (Jon Limoges). The group has described its “powwow step” music as “the soundtrack to a contemporary evolution of the powwow.” ATCR is part of what broadcaster and educator Wab Kinew has called the “Indigenous Music Renaissance,” an innovative new generation of Indigenous artists in Canada. The group was nominated for the Polaris Music Prize in 2013 and 2017, and has won two Juno Awards, including Breakthrough Group of the Year in 2014.
Susan Agnes Point, OC, RCA, artist (born 5 April 1952 in Alert Bay, BC). Susan Point is one of the first female Coast Salish artists to have achieved wide recognition, and is an influential figure among Northwest Coast artists. Her work is influenced by traditional Coast Salish art production, but she translates these traditions into contemporary modes of expression. Perhaps best known for her monumental public commissions for institutions such as the University of British Columbia’s Museum of Anthropology and the Vancouver International Airport, she also specializes in limited edition prints and artworks inspired by the Coast Salish spindle whorl. An Officer of the Order of Canada, she has been appointed to the Royal Canadian Academy of Arts and received numerous honorary degrees and lifetime achievement awards.
Norval Morrisseau, artist (born 14 March 1932 in Sand Point Reserve, near Beardmore, ON; died 4 December 2007 in Toronto, ON). Morrisseau was a self-taught artist of Ojibwa ancestry (his Ojibwa name, which appears in syllabics on his paintings, means "Copper Thunderbird") who originated the pictographic style.
Winner of the Sobey Art Award in 2006 and included in prestigious international exhibitions such as Documenta in Kassel, Germany, and in collections like that of the National Gallery of Canada, Annie Pootoogook was born into a family of accomplished Inuit artists. She is the daughter of graphic artist Napachie Pootoogook and printmaker and carver Eegyvudluk Pootoogook, and is the granddaughter of Pitseolak Ashoona. Her uncle was Kananginak Pootoogook.
Robert Markle, painter, writer, musician, educator (born 1936 in Hamilton, ON; died 1990 in Mount Forest, ON). Markle was Mohawk, but his relationship to his ancestry was not straightforward. It was only later in life that Markle actively incorporated aspects of his Indigenous identity into his art. Most well known for his female nudes, Markle usually depicted his wife, Marlene, or burlesque dancers. Following a Toronto police raid of a gallery exhibiting his work in 1965, some of Markle’s drawings were identified as obscene by a judge. Markle remains known for his sensual and passionate artwork.
George Hunt, ethnographer and museum acquisitions collector (born 14 February 1854 in Fort Rupert, BC; died there September 1933). He is best known for his work with anthropologist Franz Boas; together they documented the language, rituals and customs of Hunt’s people, the Kwakwaka'wakw (Kwakiutl). Hunt's rich ethnographic notes and artifact collections provided the first ethno-history of the Kwakwaka'wakw culture.
Kiawak Ashoona (also known as Kiugak), sculptor (b at Tariugajak, Baffin Island, Nunavut 16 Sept 1933). Son of renowned Inuit artist Pitseolak Ashoona, Kiawak recounts that his own prodigious artistic career began in his childhood, while the family was still living at a camp on the land.