The game is six degrees of Canadian history. Take two seemingly unrelated pieces of Canadian culture and connect the dots through various people, places and events to discover how they’re distantly — or maybe not-so-distantly — related. Along the way, we visit the quizzical and curious, the tragic and comic, and everything in between.
An ulu is a cutting tool specific to the material culture of the Inuit. A practical device, the ulu has been significant to traditional subsistence strategies, namely hunting and harvesting. However, the ulu also holds cultural significance, especially to women, who have historically used the tool to cut meat for food, and skins for clothing. Today, some Inuit still use ulus for food preparation; others recognize the ulu for its traditional value.
In recent years settlement, social and logistic factors have eliminated the nomadic lifestyle in favour of aggregation into permanent settlements which have concentrated around Repulse Bay, Mittimatalik [Pond Inlet], Hall Beach, Arctic Bay and Iglulik, which were formerly centres of trade.
In Canada, the term Indigenous peoples (or Aboriginal peoples) refers to First Nations, Métis and Inuit peoples. These are the original inhabitants of the land that is now Canada. In 2011, more than 1.4 million people in Canada identified as Indigenous. Though severely threatened — and in certain cases extinguished — by colonial forces, Indigenous culture, language and social systems have shaped the development of Canada, and continue to grow and thrive despite extreme adversity.1
Inuvialuit originally occupied the western Canadian arctic coast from Barter Island in the west to Cape Bathurst in the east, as well as the northern portion of the Mackenzie River Delta. Numbering about 2000 during the 19th century, they formed the densest Inuit population in arctic Canada.
Inuit Tapiriit Kanatami (formerly known as the Eskimo Brotherhood of Canada) is a national advocacy organization that promotes awareness about political, social, cultural and environmental issues that impact Inuit communities, from the Inuvialuit Settlement Region in the Northwest Territories, to Nunavut, Nunavik in Northern Québec, Nunatsiavut in Northern Labrador and land claims regions.
Zacharias Kunuk, OC, filmmaker, carver, sculptor, visual artist (born 27 November 1957 in Kapuivik, Nunavut). An internationally acclaimed media maker, Zacharias Kunuk has played a crucial role in the redefinition of ethnographic filmmaking in Canada and has been at the forefront of the Inuit’s innovative use of broadcast technology. He is perhaps best known for his debut feature film, Atanarjuat (The Fast Runner), which won six Genie Awards (including Best Screenplay, Best Direction and Best Motion Picture) and was ranked the No. 1 Canadian film of all time in a 2015 poll conducted by the Toronto International Film Festival.
It is often said that the Inuit have dozens of words to refer to snow and ice. Anthropologist John Steckley, in his book White Lies about the Inuit (2007), notes that many often cite 52 as the number of different terms in Inuktitut. This belief in a high number of words for snow and ice has been sharply criticized by a large number of linguists and anthropologists.
Alikomiak (also spelled Alekámiaq) and Tatimagana, Inuit hunters from the central Arctic, were the first Inuit to be condemned and executed for murder under Canadian law on 1 February 1924. The trials of Alikomiak and Tatimagana have been described as demonstrations of federal authority over the Inuit as well as of Canadian sovereignty in the Arctic.
Winner of the Sobey Art Award in 2006 and included in prestigious international exhibitions such as Documenta in Kassel, Germany, and in collections like that of the National Gallery of Canada, Annie Pootoogook was born into a family of accomplished Inuit artists. She is the daughter of graphic artist Napachie Pootoogook and printmaker and carver Eegyvudluk Pootoogook, and is the granddaughter of Pitseolak Ashoona. Her uncle was Kananginak Pootoogook.