Keywords Sopranos

Youthful Toronto debuts with orchestra (TSO 1947) and in both radio opera (CBC, 1948, as Eurydice in Gluck's Orfeo) and live opera (Royal Cons Opera School in 1949, and Opera Festival in 1950 as Mimi in La Bohème) established her quickly. Her success in these roles and the prestige, in 1951, of reaching the finals in the CBC's 'Singing Stars of Tomorrow' and 'Nos Futures Étoiles' presaged a long and busy Toronto-based career as a freelance artist. For the CBC Opera she was Micaëla in Carmen (1949), Liù in Turandot (1950), Mimi in La Bohème (1948, 1951), Lucie in Arthur Benjamin's A Tale of Two Cities (1954), the Countess in The Marriage of Figaro (radio and TV, 1956), and Fiordiligi in Così fan tutte (1958). She also was heard as soloist on the CBC's 'Northern Electric Hour,' 'Startime,' 'Sunday Strings,' The Stage series, and 'Showtime.' For the COC she was Marguerite in Faust (1951), Pamina in The Magic Flute (1952), Marie in The Bartered Bride (1952), Fiordiligi in Così fan tutte (1953), Felice in Wolf-Ferrari's School for Fathers (1954), the Countess in The Marriage of Figaro (1955, 1960), and Sara Riel in Louis Riel (1967).

During those same years Morrison was a soloist in innumerable symphony and oratorio performances, eg, the TSO-Toronto Mendelssohn Choir Bach Festival of 1950; the CBC's 80th (1962) and 85th Stravinsky birthday celebrations, conducted by the composer, with the Festival Singers (of which Morrison was an original member and, frequently, a featured soloist); and the TSO-Toronto Mendelssohn Choir performance of Britten's Cantata academica and Spring Symphony (1967). In Winnipeg, she sang the Verdi Requiem (1951) with the Winnipeg Philharmonic Choir and Winnipeg Symphony Orchestra; in New York, Jeanne d'Arc au bûcher (1968) with the New York Philharmonic; and, in San Francisco, the Bach Magnificat (1973).

Morrison's particular contribution to Canadian musical life, however, has been her advocacy of 20th-century music. With notable poise and generosity of spirit and with manifest enjoyment of the material, she has contrived successfully to banish its bogies and reveal its not always readily apparent charms. Composers have been quick to appreciate this, and to devise new works for the clear, resilient soprano voice on which it all depends. The list below shows the premieres in which she has sung.

Much of her work in contemporary music has been as a member (with Robert Aitken and Marion Ross) of the Lyric Arts Trio, with which she has toured in North America, Scandinavia, Japan, Iceland, France, Poland, and England. Both as soloist and as trio member she has performed often with the SMCQ in Montreal and Ten Centuries Concerts and NMC in Toronto, usually in Canadian works or in Canadian premieres of US and European works (Berio, Birtwistle, Cage, Crumb, Peter Maxwell Davies, Globokar, Ligeti, Pousseur, Takemitsu, Xenakis, etc).

Among the milestones of her career Morrison cites the CLComp concert of 1953 (works of Papineau-Couture and Morawetz), the premiere of Somers' The Fool (1956), the Ten Centuries Concerts presentation of Schafer's Geography of Eros (1964), the Canadian Concert (1968) at the Sigmund Samuel Canadiana Building of the Royal Ontario Museum, and concerts with the Lyric Arts Trio at Expo 70 (Osaka 1970), the ISCM festival in Reykjavik and the Musée d'art moderne in Paris (both in 1973), the Warsaw Autumn in 1978, and the Soundstage Canada '81 performances at the Zagreb biennale and Pierrot Lunaire at the University of Toronto (both in 1981). She gave her final public performance at the University of Toronto in 1985.

Morrison married the composer Harry Freedman in 1951 and is the voice heard in his scores for the films The 700 Million, The Roots of Madness, and The Pyx, and for the ballets The Shining People of Leonard Cohen and Romeo and Juliet.

Morrison was a member 1972-5 and 1982-5 of the advisory arts panel of the Canada Council and artist-in-residence in 1976 at Simon Fraser University. She taught singing 1976-84 at the University of Western Ontario and 1976-9 at McMaster University, and in 1979 she began teaching in the five-week course at the Academy of Singing at the Banff CA. She also began teaching at the Faculty of Music, University of Toronto in 1979. She has taught occasionally 1987-9 at the Atelier lyrique de l'Opéra de Montréal. She is in constant demand as a competition juror, festival adjudicator, and examiner. She has served on several boards including those of NMC, the Sir Ernest MacMillan Memorial Foundation, the Toronto Arts Council, and the Toronto Arts Awards. She received the Canada Music Citation of the CLComp in 1968, was made an Officer of the Order of Canada in 1983, and was awarded a medal of service from the City of Toronto in 1985.

Morrison's sister, the Winnipeg soprano Kathleen Morrison Brown (b Winnipeg 5 Sep 1928), has enjoyed a durable career in Winnipeg as a soloist in oratorio, operetta, and concert, and has been heard often on the CBC.

Premieres of Canadian works in which Morrison has sung
Anhalt La Tourangelle, 1975

Applebaum Algoma Central, 1976

Barnes Nocturne for flute and voice, 1963

Beckwith The Trumpets of Summer, 1964; Canada Dash - Canada Dot, 1967

Beecroft From Dreams of Brass, 1966; Rasas III, 1974

Buczynski How Some Things Look, 1967

Buxton, William Tribsanden, 1972

Callon, Gordon Three Songs, 1975

Cherney Mobile IV, 1972

Davies Musical Circus, 1981

Dolin Drakkar, 1973; The Golden Section, 1981

Fisher Behind the Ranges, 1976

Freedman Two Vocalises, 1954; Toccata, 1968; Fragments of Alice, 1976

Grimes, David Sotto Voce, 1975

Heard Three Comings, 1971

Naylor On Mrs. Arabella Hunt Singing, 1971

Ridout The Ascension, 1962; In Memoriam Anne Frank, 1965

Schafer Five Studies on Texts by Prudentius, 1963; Geography of Eros, 1964; The Enchantress, 1972; Arcana, 1974; La Testa d'Adriane, 1978

Somers The Fool, 1956; Twelve Miniatures, 1964; Louis Riel, 1967; Kuyas, 1967

Steven, Donald The Transient, 1975

Symonds Autumn Nocturne, 1960; Opera for Six Voices, 1961

Wilson Angels of the Earth, 1967

Morrison also has participated in premieres of works by Garant, Mather, Pannell, and Tremblay.

Author Kenneth Winters

Discography

Beecroft From Dreams of Brass. Morse narrator, CBC Toronto SO and Chorus, Avison conductor. 1967. RCI 214/RCA CCS-1008/4-ACM 13

Bibliography

'Canada Music Citation 1968,' Mcan, 17, Mar 1969