Indigenous peoples of the Arctic have been making art for thousands of years. In this exhibit, we will look at an ancient artifact fashioned by unknown hands, the work of the first generation of Inuit artists, and two contemporary Inuit artists whose work has become part of the international art world.
For most contemporary art critics, the term “decorative” is pejorative, implying that a work, while perhaps pretty, lacks content and depth. The decorative arts, it is commonly assumed, have two features that are at odds with what we think of as fine art: decorative art is typically associated with function – glasses, plates, bowls, jars, carpets, clothes – and its purpose is to project a style or mood rather than to transmit meaning and incite dialogue.
This Collection explores visual arts in Canada through articles, photo galleries, Heritage Minutes and more, and is presented in partnership with Charles Bronfman’s Claridge Collection. Above image: Untitled. Acrylic on canvas, painted by Max Johnson. Courtesy of the Charles Bronfman's Claridge Collection.
Cinémathèque québécoise (established 1963 as the Cinémathèque canadienne) was founded by a group of film producers and cinéphiles led by Guy L. Coté to conserve films (along with related materials such as equipment, posters and photographs) and to make this material available for educative purposes.
The film Quest for Fire (1982) begins with 3 warriors (Ron Perlman, Everett McGill and Nameer El-Kadi) of a primitive homo-sapien tribe who are sent out to find a source of fire (they don't know how to produce it) after their tribe's fire is extinguished during an attack by a group of marauding Neanderthals.
Director Mina Shum's debut feature film, Double Happiness, is a coming-of-age story that explores the often troubled relationship between cultures and generations. Jade Li (Sandra OH) was born in Hong Kong but raised in Vancouver, where her parents try to maintain Chinese traditions.