Indigenous peoples of the Arctic have been making art for thousands of years. In this exhibit, we will look at an ancient artifact fashioned by unknown hands, the work of the first generation of Inuit artists, and two contemporary Inuit artists whose work has become part of the international art world.
For most contemporary art critics, the term “decorative” is pejorative, implying that a work, while perhaps pretty, lacks content and depth. The decorative arts, it is commonly assumed, have two features that are at odds with what we think of as fine art: decorative art is typically associated with function – glasses, plates, bowls, jars, carpets, clothes – and its purpose is to project a style or mood rather than to transmit meaning and incite dialogue.
This Collection explores visual arts in Canada through articles, photo galleries, Heritage Minutes and more, and is presented in partnership with Charles Bronfman’s Claridge Collection. Above image: Untitled. Acrylic on canvas, painted by Max Johnson. Courtesy of the Charles Bronfman's Claridge Collection.
The creation of the National Film Board of Canada (NFB) is the central event in the history of Canadian cinema. The NFB has pioneered developments in social documentary, animation, documentary drama and direct cinema; and it has been a continuing initiator of new technology.
The Canadian Broadcasting Centre was developed as the result of a proposal call process in which the Cadillac Fairview Corporation Limited was selected to develop the 9.3 acre site, owned by the CBC, and build the centre, which was then leased to the CBC on a long-term basis.
Foon wrote Heracles, about Greek heroes; Raft Baby, a l9th-century tale from the BC interior; and The Windigo, from an Ojibwa myth. Shadowdance, written by Sheldon Rosen and directed by Yurek Bogajewicz, was an innovation in children's theatre and provided a frightening glimpse of a medieval world.