Indigenous peoples of the Arctic have been making art for thousands of years. In this exhibit, we will look at an ancient artifact fashioned by unknown hands, the work of the first generation of Inuit artists, and two contemporary Inuit artists whose work has become part of the international art world.
For most contemporary art critics, the term “decorative” is pejorative, implying that a work, while perhaps pretty, lacks content and depth. The decorative arts, it is commonly assumed, have two features that are at odds with what we think of as fine art: decorative art is typically associated with function – glasses, plates, bowls, jars, carpets, clothes – and its purpose is to project a style or mood rather than to transmit meaning and incite dialogue.
This Collection explores visual arts in Canada through articles, photo galleries, Heritage Minutes and more, and is presented in partnership with Charles Bronfman’s Claridge Collection. Above image: Untitled. Acrylic on canvas, painted by Max Johnson. Courtesy of the Charles Bronfman's Claridge Collection.
Lyman did not conceive of the CAS as an exhibiting organization, but many members realized that by banding together it would be easier to get exhibition space and to lobby for attention at the conservative Art Association of Montreal (now the Musée des beaux-arts de Montréal).
More recently, graphics have come under such rubrics as Visual Communications and Information Design. As Richard Hollis writes in Graphic Design: A Concise History (London, 1994), "Graphics can be signs, like the letters of the alphabet or form part of another system of signs, like road markings.
Heather Spears, poet, novelist, artist (b at Vancouver, BC 1934). Educated at the Vancouver School of Art and the University of British Columbia, Heather Spears has lived in Denmark since 1962, where she owns the Upper Canada Gallery. She returns to Canada annually for reading and lecture tours.
Major's tenure as artistic director (1963-68) was characterized by seasons that featured the classics interspersed with contemporary plays - such as the first North American production of A Man for All Seasons (1968) and Canadian plays such as Arthur Murphy's The Sleeping Bag (1967).
This text is from the free Toronto in Time app, which was created by The Canadian Encyclopedia. The app is available from the App Store and the Google Play store. Visit its companion website, which is linked below, to explore all the features of the app online.
This text is from the free Toronto in Time app, which was created by The Canadian Encyclopedia and is available from the App Store and the Google Play store. Visit its companion website, which is linked below, to explore all the features of the app online.