Frank Gehry, architect (b Toronto 28 Feb 1929). Raised in Toronto, Frank Gehry moved with his family to Los Angeles when he was 17.
Frank Gehry, architect (b Toronto 28 Feb 1929). Raised in Toronto, Frank Gehry moved with his family to Los Angeles when he was 17. He received his Bachelor of Architecture degree from the University of Southern California in 1954, and studied city planning at the Harvard University Graduate School of Design. Gehry has built an architectural career spanning four decades and has produced public and private buildings in America, Europe and Asia. By the latter part of the 20th century, Gehry had evolved into one of the most recognizable and publicly discussed architects in the world. He was one of a handful of architects whose widely recognized projects put architecture back into public discourse. The century was capped with the naming of Gehry's Guggenheim Museum in Bilbao, Spain, as the building of the century.
It was this project that spawned what has become known as "the Bilbao effect." The public success of this project is so large that tourists and architectural aficionados alike have flocked to the small town of Bilbao to see Gehry's design. The Bilbao Guggenheim is the prime example of the use of brand-name architects, such as Gehry, to bring visitors in by the thousands - hence the term "Bilbao effect." Museums and other cultural and public institutions around the world are following suit, in the hope of generating the success of the Guggenheim in Bilbao.
Every project undertaken by Gehry Partners, founded in 1962 and located in Los Angeles, is designed personally and directly by Gehry. In the late 1950s and 1960s - the earliest years of his practice - his work was well planned and handsome, and those who knew it regarded him as a genuine talent. It was not until the 1970s that the box began to break apart, and by the end of that decade he had ventured into absolutely unknown territory with an architectural experiment: his own small, pink Santa Monica bungalow. It became a laboratory in which it was possible to try anything, and he did. Gehry relocated walls, adding new ones and challenging which were new, old, inside, and outside. He utilized everyday materials such as chain link fencing as architectural elements, an innovation that quickly came to be associated directly with his work. Since then, many barriers to architectural self-expression have come down at his bidding; in the years since 1989, computers and advanced software, coupled with the people who operate them, have given him the long-hoped-for freedom to create ever more inventive ways to enclose space.
The design process Gehry displayed in the renovation of his own house has continued to this day: it is a process of seeing anew, of seeing what you have been looking at as ordinary as possessing the potential for the extraordinary. What has become known as Gehry's signature style couples his interest in materiality with expressive form. These buildings are usually composed of discrete volumes, shaped with freely flowing curvilinear roofs. Metal panels are often used as cladding, either stainless steel or titanium. The result is a collection of buildings bearing no resemblance to a historical understanding of architecture; these are structures that appear to defy gravity, as well as the human ability to shape structures.
Gehry's work has earned him several of the most significant awards in the architectural field. In 1977, he received the Arnold W. Brunner Memorial Prize in Architecture from the American Academy of Arts and Letters. In 1989, he was awarded the Pritzker Architecture Prize, perhaps the highest accolade of the field, honouring "significant contributions to humanity and the built environment through the art of architecture." Other notable awards include the Gold Medal from the American Institute of Architects, the Gold Medal from the Royal Institute of British Architects, the Lifetime Achievement Award from Americans for the Arts, and the Gold Medal for Architecture from the American Academy of Arts and Letters. Gehry was named a Fellow of the American Academy of Arts and Letters in 1987, a trustee of the American Academy in Rome in 1989, and a Fellow of the American Academy of Arts and Sciences in 1991.
In 1982, 1985, and 1987-89, Gehry held the Charlotte Davenport Professorship in Architecture at Yale University. In 1984, he held the Eliot Noyes Chair at Harvard University. In 1996-97, he was a visiting scholar at the Federal Institute of Technology in Zurich, Switzerland. He was elected to the College of Fellows of the American Institute of Architects (AIA) in 1974. Gehry's buildings have received over 100 national and regional AIA awards.
The work of Gehry Partners has been featured widely in national and international newspapers and magazines, and has been exhibited in major museums throughout the world. Gehry's work has been featured in major architectural publications and in national and international trade journals; his architectural drawings and models have been exhibited in major museums throughout the world. His first designs for Canada are for Le Clos Jordanne Winery in Niagara, Ont, and the addition to the Art Gallery of Ontario in Toronto.
More than any other architect of his generation, Frank Gehry is an innovator whose vision reaches beyond the accepted aesthetic and technical constraints of 20th-century architecture.