The Vancouver Playhouse adopted the standard program pattern for regional theatres in Canada - a September to May season of about 6 plays that were mainly recent London and Broadway successes with a few classics included. From as early as 1966, every season featured at least one Canadian play. Emphasis was placed on enrolling season-ticket subscribers. This basic pattern has informed program planning for more than 40 years.
The Playhouse's first artistic director was Michael Johnston, followed by Malcolm Black (1964-67), Joy Coghill (1967-69), David GARDNER (1969-71), Paxton WHITEHEAD (1971-73), Christopher NEWTON (1973-79), Roger Hodgman (1979-82), Walter Learning (1982-87), Guy Sprung (1987-88), Larry Lillo (1988-93), Susan Cox (1993-97) and Glynis Leyshon (1997-2008). Max Reimer was appointed as artistic director in 2008.
The Playhouse has several times run a second season in a smaller venue, intended for experimental work. None of these ventures lasted long. From 1964 the Vancouver Playhouse faced competition from the ARTS CLUB THEATRE, particularly since the 1980s, when the Arts Club acquired a second theatre and was operating year-round.
In the 1960s the Playhouse demonstrated a commitment to Canadian work, starting with comedies by Eric NICOL. The premiere of George RYGA's The Ecstasy of Rita Joe in the fall of 1967 was a great moment for the company. Sharon POLLOCK's The Komagata Maru Incident (1975), on the second stage, was a later successful premiere of a Canadian work. Later, dramas by such local authors as Aaron Bushkowsky, Tom Cone, Joan MACLEOD and Guillermo VERDECCHIA premiered at the Vancouver Playhouse.
Christopher Newton's 6 years, which were supported by Cameron PORTEOUS as designer, saw some of the greatest achievements of the Vancouver Playhouse. Newton brought in foreign directors and created a theatrical, slightly decadent style in works such as Camille, The Count of Monte Cristo and Leonce and Lena, directed by Liviu Ciulei. Walter Learning began his tenure as artistic director in 1982 with a 12-play season, but this initiative did not receive a supportive response. The Vancouver Playhouse, the largest professional theatre company in British Columbia, supplemented its 6-play season with a new play development program and a community outreach and education program. Glynis Leyshon, the first Vancouver-born director, offered a varied program and had a well-deserved success with The Overcoat, a non-verbal, movement-to-music piece for 23 actors devised by Morris PANYCH.
Despite a bail-out from the city in 2011, the Playhouse debt was $1 million and annual losses of $500 000 were predicted. Nevertheless the abrupt closing at one day's notice in March 2012 came as a shock. Hope of any re-opening remains vague.
See also THEATRE, ENGLISH-LANGUAGE.
Author MALCOLM PAGE
Links to Other Sites
Greater Vancouver Professional Theatre Alliance
The website for the Greater Vancouver Professional Theatre Alliance. Offers information about Vancouver theatre venues and programs.
Playhouse Theatre Company
The website for Vancouver’s Playhouse Theatre Company. Offers information about current performances and related educational resources.
Playwrights Guild of Canada
The website for the Playwrights Guild of Canada. Search for brief profiles of Canadian playwrights and information about programs that offer assistance to playwrights.
Composer's 30-year journey led to Beyond Eden
A CBC News story about composer Bruce Ruddell's "Beyond Eden," a musical focusing on the disappearing totem poles of Haida Gwaii. Stars Tom Jackson and John Mann appear.
The website for Joy Coghill, esteemed actor, director, and tour de force of Vancouver's dynamic theatre community.