Her concert career peaked in 1929 with performances in America, where she was championed by Leopold Stokowski. She next concentrated on composition, her style gradually evolving through the conservative influence of her instructor, Max Trapp, and through her 1939 move from Berlin to Vienna (neoclassicism and a modest bow to serialism). Her works written in Canada show an increasing emphasis on intervallic relationships (Bartok), metric organization and "basic note groups" (Webern). Many were commissioned, as wereWoodwind Quintet, Piano Trio, Duo Concertante for cello and piano, String Quartet No. 3, Symphony-Concerto for piano and orchestra and the Manitoba Symphony. Her name is memorialized in the Eckhardt-Gramatté National Competition for the Performance of Canadian Music held annually at Brandon, Manitoba.
Author LORNE WATSON

The Toronto Maple Leafs’ victory in the 1967 Stanley Cup was a singular event. Who would have predicted that it would not happen again?
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