By 1895, when Cullen returned to Montréal, he had darkened the tonality of the impressionist style learned abroad. In time he became the true interpreter of Montréal's cityscape, particularly of night or dusk scenes, invariably with shimmering lights. He was also one of Canada's great painters of snow. Like his colleague and friend James Wilson MORRICE, Cullen was a major figure in Canadian art. His gift was that of a romantic - an ability to capture light and mood. Some of his work was influenced by William Blair Bruce, whom Cullen often visited in Gréz 1892-94. Cullen in turn influenced many by teaching for years at the Art Association of Montreal. He showed in the first exhibition of the Canadian Art Club, an advanced group of the period, and was made a member in 1910.
Author JOAN MURRAY
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