In all he painted more than 250 oils on canvas or paper, including about one hundred religious copies, occasional portraits, some rural scenes and contemporary events (Québec's 1832 cholera epidemic and 1845 fires), some remarkable historical tableaux (La Bataille de Sainte-Foy 1854) and native Indian subjects. Légaré, who taught Antoine PLAMONDON, was the first Canadian-born painter to devote himself to landscapes. He also opened Canada's first art gallery (in 1833), featuring his personal collection of canvases and European engravings; it closed in 1835.
From 1838 to 1840 and 1852 to 1855 he again offered Québec City art amateurs access to his ever-growing collection. Since 1874 the former Légaré collection has been held in the Musée du Séminaire de Québec, which also holds the most important body of the artist's own output. Légaré worked ceaselessly to promote fine arts in Lower Canada, and after 1845 was one of the greatest supporters of the creation of a national gallery.
A Lower Canadian nationalist, he tirelessly promoted humanitarian, social and political goals. His activities included a stint as member of the first Québec City municipal council (1833-36). A faithful follower of Louis-Joseph PAPINEAU, he was arrested for his part in the REBELLIONS OF 1837, 4 years after becoming one of the founding members of the ST-JEAN-BAPTISTE SOCIETY of Québec. Defeated as a candidate in the by-elections of 1848 and 1850, he was appointed to the Legislative Council in February 1855, a few months before his death.
Author JOHN R. PORTER

The Toronto Maple Leafs’ victory in the 1967 Stanley Cup was a singular event. Who would have predicted that it would not happen again?
INSIDE TCE
