Since works of art were generally imported from France at this time, he was most influential through his paintings for local churches, both during his sojourn in the colony and after his return to France. The Assomption de la Vièrge, which he painted in 1671 for the retable of the Récollet chapel, is his best-known work. He has been credited with a few portraits, including ones of Jean TALON and Bishop LAVAL, and the churches of Ste-Anne-de-Beaupré and of St-Philippe (Trois-Rivières) possess his colourful if sentimental VOTIVE PAINTINGS. Most accomplished paintings of the period have variously been attributed to him and, though recent research discredits many of these claims, the extent of his influence cannot be denied.
Author ROSEMARY SHIPTON

The Toronto Maple Leafs’ victory in the 1967 Stanley Cup was a singular event. Who would have predicted that it would not happen again?
INSIDE TCE
