Early Career and Musical Style
In 1963 the family moved from the Maritimes to Oshawa, Ont. At age 11 Shirley Eikhard began to play guitar and write songs. Following her debut at 12 at a fiddler's contest in Cobourg, Ont, she appeared at the Mariposa Folk Festival (New Songwriters concert) and on CBC TV's Singalong Jubilee. She was signed by Capitol Records at age 14. In 1970, the US guitarist Chet Atkins recorded her instrumental "Pickin' My Way" (the title tune of his LP of the same name). Eikhard was often compared to Anne Murray, who had a modest hit with an early Eikhard song, 'It Takes Time,' in 1971. Eikhard herself recorded in 1971 for Capitol (Shirley Eikhard, ST-6371); had a country hit in 1972 with 'Smiling Wine'; and received Juno awards for 1972 and 1973 as best female country singer. Her LPs 1975-7 for Attic (Child of the Present, LAT-1007; Let Me Down Easy, LAT-1021; Horizons, LAT-1032) documented a selective move toward pop, R&B and rock. A version of a Fleetwood Mac song, 'Say You Love Me,' was popular in 1976. Eikhard performed during the 1970s in clubs, coffeehouses and concert halls across Canada and toured Canada and Europe with performers such as Hagood Hardy (1975), Sylvia Tyson, Lou Rawls, Sonny James, and Lynn Anderson.
Recordings, Later Musical Style, Awards and Activities 1977-present
1980-92
In 1985 she journeyed to Nashville, where she wrote 16 songs in six weeks. During 1987 she released her first Eika recording, appropriately titled Taking Charge (Eika/WEA 25-48531). Eikhard wrote, co-wrote, produced, arranged and performed all songs on the album. She continued to tour in Canada (cutting nightclubs from her itinerary after 1986 as a result of a severe allergy to cigarette smoke).
After a discussion about songwriting with Hal David, Eikhard concentrated on composing. She has come to be best known as a songwriter, and has written or co-written songs recorded by the US singers Kim Carnes, Cher, Rita Coolidge, Emmylou Harris, the Pointer Sisters, and Bonnie Raitt. In 1991 Raitt's hugely successful release of Eikhard's "(Let's Give Them) Something to Talk About" (Luck of the Draw) won a Grammy award and skyrocketed Eikhard onto a higher plane of financial freedom and professional respect. Raitt described her experience with recording the track as "like hitting one out of the park, my first number one..." Eikhard has also written songs with the Laurie Bower Singers, Gary Buck, George Fox, Catherine McKinnon, Alannah Myles, Peter Pringle, Ginette Reno, Donna Ramsey, and Sylvia Tysonand Quartette, among others. She has also sung on hundreds of recording sessions with numerous artists.
In the early 1990s, Eikhard composed two scores for Toronto playwright George F. Walker. One of them, Escape from Happiness, won a Dora Mavor Moore Award for sound design (1992). Later that year, she won BMI songwriter citations for "Something to Talk About."
1993-present
Eikhard released the critically acclaimed album The Last Hurrah (SEM 1199) in 2000. Like on Going Home, rather than reinterpret jazz standards, Eikhard added original songs to the jazz catalogue. According to Bruce Lundvall, president of Blue Note, she had a knack for jazz phrasing and composition: "I put on the CD and I was stopped in my tracks. The song was "If We Had Never Met," and it sounded like a standard... a classic. Her voice was wonderful - a distinctive signature voice. A jazz voice..."
Eikhard's "Tomorrow Is a Lonely Place" won first prize (jazz category) in the 2001 USA Songwriting Competition. Also in 2001, Eikhard produced and engineered End of the Day (SEM 2001), a largely instrumental recording on which she played guitar, piano, drums, sax, bass, percussion and chromatic harmonica. The album showcased Eikhard's guitar-playing abilities (eg, "Song For Lesley") and her aptitude for instrumental writing. Eikhard's next release, Stay Open (SEM 2003), provided further evidence of her capacity to successfully write, produce and perform in various styles.
During 2003 Eikhard won a SOCAN Classic Award for "Something to Talk About."
Writings
Shirley Eikhard, 'Eikhard takes charge with new LP,' CanMus, vol 9, Oct 1987
Author Revised: Cheryl Gillard
McCracken, Melinda. 'The voice, it's the voice, that warm soothing alto,' Maclean's, Jun 1972
Foster, Don. 'Canada's first lady of the fiddle [June Eikhard],' Country Music News, vol 1, Nov-Dec 1972
Graves, Lief. 'Getting to know Ms. Shirley Eikhard,' CanComp, 93, Sep 1974
Flohil, Richard. 'Songwriter faces challenge taking charge of album project,' CanComp, 221, Jun 1987
- 'Shirley Eikhard: the life of a songwriter,' The Record, vol 10, 8 Jul 1991
Feniak, Peter. "Attempting a comeback to talk about," Globe and Mail, 5 August 1995
Gudino, Rod. "Shirley Eikhard: the voice behind the voice," RPM (Weekly), 62, no 10, Oct 1995
Smulders, Marilyn. "When fairytales come true," Daily News (Halifax), 21 Apr 1996
Jones, Christopher. "The jazz singer," Words & Music, vol 5, no 4, Apr 1998
Lees, Gene. "To the ladies," Gene Lees Jazzletter, vol 17, no 10, Oct 1998
Doole, Kerry. "Jazz goes the pop singer," Opus: Canada's Essential Jazz and Classical Music Source, vol 23, no 4, winter 2000
Goddard, John. "Bonnie Raitt springs local surprise," Toronto Star, 15 Apr 2002


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