The author of articles for various periodicals and of books on music theory, Talbot was a member of the Société française de musicologie (Paris), the International Musicological Society (Basel), the Musical Association of London, and the Diocesan Commission for Sacred Music in Quebec. His compositions, none of which were published, include the oratorio Évangéline; the opera Celle qui voit; a symphony, a Poème for violin and orchestra; a string quartet; orchestral pieces; organ pieces; and several songs. His papers have been deposited at Laval University.
Writings
'M. J.-A. Gilbert,' La Musique, vol 1, Aug 1919
Cycle des Quintes: Des propriétés de l'intervalle de quinte dans la science, dans l'histoire, dans la pédagogie de la musique (Quebec City 1940)
Phonétique, vol 1 of series Grammaire de la musique (Quebec City ca 1941)
'Avons-nous une culture musicale nationale?' Culture, vol 3, Sep 1942
'Beethoven, le moderne,' Les Carnets viatoriens, Apr 1945
Author Denise Ménard
'J.-Robert Talbot,' La Lyre, vol 2, Jan 1924
'M. J.-Robert Talbot,' Quebec City L'Événement, 14 Apr 1928


Shawnadithit grew anxious waiting for her uncle, Longnon, to return to camp at the junction of Badger Brook and the Exploits River, deep in the wilds of Newfoundland...
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