After an appearance in Toronto (26 Jan 1892 at the Pavilion, in excerpts from Rossini's Semiramide) by Adelina Patti supported by Metropolitan Opera soloists and orchestra (about 20 instrumentalists) under Luigi Arditi, and after four concerts in Montreal (1896 at Windsor Hall) by the Metropolitan orchestra under Anton Seidl, the Metropolitan as a company gave its first season in Canada in 1899 performing La Traviata, Carmen, Faust, Romeo and Juliet, and The Barber of Seville at the Toronto Grand Opera House and Montreal's Her Majesty's Theatre. The cast included Marcella Sembrich, Giuseppe Campanari, Emma Calvé, Pol Plançon, and Édouard de Reszke. The Met returned to Toronto and Montreal in 1901 with Lohengrin, Romeo and Juliet, Faust, Manon, Carmen, and Tannhäuser. Singers included Sybil Sanderson, Emma Eames, and Marcel Journet.
Four operas were offered in Montreal in 1911: Aida with Louise Homer, Emmy Destinn, and Antonio Scotti under Arturo Toscanini; Madama Butterfly with Geraldine Farrar; Tannhäuser with Olive Fremstad, Alma Gluck, and Leo Slezak; and Faust with Jeanne Maubourg as Siebel.
A season in September 1942 offered 10 operas including Charpentier's Louise and Massenet's Thaïs, but was under France-Film's sole sponsorship, with Pelletier as artistic director. Met singers included Moore, Steber, Sayão, Jepson, Martini, Peerce, Tibbett, Thomas, and Pinza. Canadians were included again in 1943 in Boris Godunov: Desjardins (The Innkeeper), Anna Malenfant (Marina), and Gérard Gélinas (Lovitzky). In 1944 Pelléas et Mélisande was one of seven operas offered. In 1945 Desjardins appeared in Manon, Faust, and Lakmé. Jean-Marie Beaudet was a guest conductor in 1943 and 1944.
In 1945 performances of Lakmé, Manon, Carmen, Faust, La Traviata, and La Bohème were given in Toronto's Massey Hall and in Quebec City's Capitol Theatre as well as in Montreal under France-Film auspices. Although these performances used the Metropolitan's singers, chorus, and ballet, they were not officially Metropolitan Opera performances. In the same category was a production of Gounod's Roméo et Juliette that Pelletier conducted in Montreal, Quebec City, Ottawa, Toronto, and Windsor in May 1943. Jeanette MacDonald (who never sang at the Met) and Armand Tokatyan sang the title roles, Pinza was Frère Laurent, and there were other Met singers in the cast along with three Canadians: Lionel Daunais (Mercutio), Jeanne Desjardins (Gertrude), and Gérard Gélinas (Gregorio). The orchestra, chorus, and ballet were borrowed from the New York house.
The Met as such did not perform again in Canada until 1952.
1960s - 80s
Metropolitan Opera radio broadcasts originated in 1931, and were sponsored after 1940 by Texaco on a US network (in turn NBC, ABC, CBS, and a private syndication - the Texaco-Metropolitan Opera radio network). These broadcasts were heard in Canada for several years over the CRBC and thereafter on the CBC, giving Canadians (who otherwise would have heard little opera during those years) a regular experience of first-class opera performance. These performances have continued to be heard regularly on CBC Radio 2 well into the 2000s.
In addition to Met broadcasts heard on CBC Radio are those featured on Sirius Satellite Radio. Metropolitan Opera Radio operates 7 days a week, 24 hours a day. It debuted 25 Sep 2006 with Puccini's Madama Butterfly. Canadian listeners are able to hear this channel as well as weekly performances streamed via the Met's website.
Another highly successful means of disseminating opera outside the actual hall is the presentation of live performances ("simulcasts") in specially equipped movie theatres throughout the world, in the series titled Live in High Definition. The first such presentation was held in December 2006, with a performance of Mozart's The Magic Flute. By 2007 the Met was expanding its high-level simulcasts. In Canada, the Cineplex chain added 40 new screens for a total of 100. These presentations have proven enormously popular, with numerous theatres selling out regularly.
To discover and encourage new talent, in 1935 the Met (under the initiative of Wilfrid Pelletier) began the radio program "Auditions of the Air" which continued annually (except for the seasons 1945-6 and 1946-7) under Pelletier's baton until 1958. By 1958 the Metropolitan Opera National Council Regional Auditions, begun in 1954, had taken over the function of the radio auditions. Pierrette Alarie won the "Auditions of the Air" in 1945, Denis Harbour in 1949, and Louis Quilico in 1955. The regional auditions, preceded by district competitions, were organized in 16 areas of the USA, and several accommodated Canadian participation.
Ernesto Vinci, Irene Jessner, and Frederick Newnham were among the judges for several years. Ramona Luengen has also adjudicated for the Metropolitan Opera National Council Auditions on a number of occasions. Ida Halpern was an organizer of the western region auditions. Among Canadian finalists in the auditions have been Joan Maxwell (1957), Milla Andrew (1958), Norman Mittelmann (1959), Teresa Stratas (1959), Heather Thomson (1961), Lois McDonall (1964), Huguette Tourangeau (1964), Maria Pellegrini (1965), Judith Forst (1968), Gabrielle Lavigne (1970), Ingrid Suderman (1971), Peter Barcza (1972), Jill Pert (1973), Lynn Blaser (1973), Mary-Lou Fallis (1974), Michèle Boucher (1977), Ben Heppner (1988), Isabel Bayrakdarian (1997), David Dong Qyu Lee (1999), Mariateresa Magisano (2001), Philippe Castagner (2002), Joseph Kaiser and Michèle Losier (2005), Nikki Einfeld (2006), Joyce El-Khoury (2007), and Simone Osborne (2008).
Canadian Conductors and Others at the Met
Canada has contributed more than singers to the Metropolitan Opera. Wilfrid Pelletier began his association with the Met in 1917 as rehearsal pianist and coach. He conducted his first opera there (Deems Taylor's The King's Henchman) 14 Apr 1928 and was appointed conductor in 1929, a position he held until 1950. Edward Johnson was in turn a leading tenor (1922-35) and general manager (1935-50). Irene Pavloska was a member of the auditioning committee in the 1930s, and Ernesto Barbini was a member of the conducting staff 1946-52.
Vancouver native Derrick Inouye began a term as assistant conductor there in 1988, and Jacques Lacombe made his conducting debut in 2004 in Massenet's Werther. Toronto-born Michael Levine has designed sets and costumes on a number of occasions, including the sets for two operas from the Metropolitan Opera: Live in HD series: Eugene Onegin (2007) and Madama Butterfly (2009). Robert Lepage directed Berlioz's La damnation de Faust at the Met in 2008.
Special Events in the 1980s
On 4 Apr 1981 a major New York social event, "Ball at the Opera House," paid tribute to "Canadian contributions to classical music and opera." On 29 Jan 1984 Canada officially saluted the Metropolitan on its centenary with a gift consisting of a production of Handel's Rinaldo with an all-star cast conducted by Mario Bernardi and featuring Marilyn Horne, Benita Valente and Samuel Ramey.
1901 Albert Quesnel
1915 Louise Edvina
1916 Kathleen Howard
1917 Florence Easton
1919 Jeanne Gordon
1922 Edmund Burke, Edward Johnson
1928 Wilfrid Pelletier
1929 Edward Ransome
1940 Raoul Jobin, Jean Dickenson
1941 Mona Paulee
1942 Jacques Gérard
1945 Pierrette Alarie
1946 Mary Henderson
1949 Denis Harbour
1951 George London
1956 Emilia Cundari
1959 Teresa Stratas
1960 Jon Vickers
1961 Gladys Kriese-Caporale, Norman Mittelmann
1962 Morley Meredith
1969 Judith Forst
1972 Louis Quilico
1975 Maureen Forrester
1979 Mariana Paunova
1983 Nicole Lorange
1993 Michael Schade
1995 Russell Braun
1998 Gerald Finley
1999 John Fanning
2000 John Relyea
2002 Isabel Bayrakdarian
2004 Adrianne Pieczonka
2007 Joseph Kaiser, Michèle Losier, Katherine Whyte
Foreign-born artists who have lived or taught in Canada and have appeared at the Met include Jeanne Maubourg (Met debut 1909), Edoardo Ferrari-Fontana (1914), Florence Easton (1917), Irene Jessner (1936), Gina Cigna (1937), Ruby Mercer (1937), Martial Singher (1943), Richard Manning (1944) and Margaret Kalil (1966).
Metropolitan Opera Annals compiled by William H. Seltsam (New York 1947; supplement 1957; supplement 1968)
Pelletier, Wilfrid. Une Symphonie inachevée (Montreal 1972)
Mercer, Ruby. "Long live the Met," Opera Canada, vol 13, Summer 1972
Rubin, Stephen E. "Radio opera," Stereo Review, Jan 1973
Mercer, Ruby. "The Canadian Opera Company: a 150 year history," Opera Canada, vol 14, Fall 1973
"Metropolitan Opera in Toronto," Canadian Opera Company 1950-1977 (Toronto 1977)
Eaton, Quaintance. Opera Caravan: Adventures of the Metropolitan Opera on Tour 1883-1956 (New York 1978)
Feller, F. P. The Metropolitan Opera on Record (Westport, Conn. 1984)
Baillie, Joan Parkhill. Look at the Record: An Album of Toronto's Lyric Theatres 1825-1984 (Oakville 1985)
Poole, Jane L. ed. Mozart Metropolitan Opera (New York 1991)
Weinman, Jaime. "Opera: Coming to a theatre near you," Maclean's, 10 Sep 2007
La Rochelle, Réal. L'Opéra du samedi: Le Metropolitan à la radio du Québec (Quebec 2008)
"Music for the masses; opera companies," The Economist, 5 Jul 2008
Author Helmut Kallmann, Gilles Potvin, Kenneth Winters, Richard Haskell
Links to Other Sites
A profile of opera singer Edward Johnson and an overview of the "Edward Johnson Collection" at the University of Guelph.
A R I A S: Canadian Opera Student Development Fund
This site offers the latest news and information about programs developed by A R I A S: Canadian Opera Student Development Fund, a non-profit volunteer organization supporting Canada's opera community and opera singers in training.
The Metropolitan Opera
The website for the magnificent Metropolitan Opera in New York offers opera synopses, current season schedules and a wealth of historical information about past performances and performers. Also features a MET Quiz, online newsletter and information about the American Ballet Theatre and the Ashton Celebration.