Bailey's first collection of verse, Songs of the Saguenay (1927), was privately issued at Québec, and showed him, both in this collection and in Tao (1930), as a young craftsman of a traditional persuasion. In Fredericton he moved in literary circles and helped to establish the little magazine, The Fiddlehead. In 1952 he published Border River, a collection which was more modern in tone and freer in form. His collected poetry, Miramichi Lightning (1981), showed the closing of the circle of Bailey's growth and development as a poet.
From conservative beginnings that echoed strongly the romantic tones of late 19th-century verse, Bailey evolved into a contemporary poet whose statement was full of the surrounding reality, whose voice is, at times, deceptively subdued but whose imagination ranged widely and wisely. In 1972 he published a collection of his essays, Culture and Nationality, which further confirmed his role of cultural historian. He was a Fellow of the Royal Society of Canada and an Officer of the Order of Canada.
Author MICHAEL GNAROWSKI


The Dominion government's advertisement asked for volunteers "able to read and write either the English or French language" with "good antecedents" who were good horsemen...
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